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The ‘ghost of electricity’ howls through each album if not a bit subdued on ‘Just Like a Woman.’ And the ‘harmonica plays the skeleton keys’ throughout on this double blues album.Yes, that is correct. Where to begin? Well, comparatively of course, (or try)? No, holistically. Fraternal audio and lyrical twins per se. Unlike Dylan’s two folk albums in 92’ and 93’ (both with the same recording sound coming out of his New Orleans garage), where the latter, ‘World Gone Wrong’ has more personality these albums certainly share the same DNA and have very similar blues thumb prints. ‘Blonde on Blonde’, double the excitement? Double the heartache? Not quite, double the album is the case.
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The point of this reminiscing? Other then the smile on my face currently and the ‘Blonde on Blonde’ reference, is to illustrate how irreverent both that situation and this album turns out to be. Well, it turns out when I asked if I could smoke in her apartment, after she invited me back in broken English, she said, “One, if you know what I mean.” I was ‘picking up what she was putting down’, as dad would say. Well, turns out she was a weather girl from Italy. I approached and half-heartedly said, “If you want to see the sunrise, hunny I know where?” Hey if it worked for Dylan in 66’ right?!? New Paltz, NY, a Kerouac town of sorts at the time. The redhead in the red leather jumpsuit had been looking towards me awhile. Amber lit, the brown, wood laden college bar looked like it was cloaked in the light of embers.